25 – 27 November 2022
Centro Studi Opera Omnia Luigi Boccherini
CRECEPS – Centre for Russian, East-Central European and Post-Soviet Music Studies
CALL FOR PAPERS
The role of music as an instrument for constructing a national identity has been widely debated within the context of Russian musical culture in the late nineteenth and early twentieth century. This conference aims to further investigate the issue by widening the survey also to East-Central Europe and by showing how in this period the search for a national musical identity was closely intertwined with increasingly frequent, complex and extensive transnational phenomena of reception and cultural exchange.
In this way, the Conference will try to question the very concept of musical nationalism, showing how composers and musical institutions of the time contributed to the creation of their own national identity both by drawing on local musical traditions, and by assimilating and reinterpreting foreign musical styles and cultures. This will allow us to better situate in a wider European context and in a more complex transcultural perspective many phenomena that in musical historiography have so far been viewed through a strictly nationalist lens.
The subject of investigation is everything that contributed to the production of nationalist / trans-nationalist musical practices and discourses: composers, musicians, musical criticism, musicology, ethnomusicological enquiries, editions of folk music, music-pedagogical traditions, musical institutions such as choral and orchestral societies, music festivals, operatic and concert institutions.
The programme committee encourages submissions within the following areas, although other topics are welcome:
- Russian and East-Central European composers between cosmopolitanism and nationalism
- The role of local traditions of sacred and liturgical music in the construction of musical national identities
- Trans-nationalist musical discourses
- Multiple musical identities
- Hybrid musical aesthetics
- International musical networks in times of nationalism
- Multicultural composers, in their quest for identity
- Interactions and negotiations between Jewish culture and national musical traditions
- Reception of (and resistance to) German music
- Reception and assimilation of French and Italian Music
- The role of musical institutions in the construction of a national identity
- Choral societies and the formation of a national identity
- ‘National’ music and folklore: the role of ethnomusicological research and editions
- Relationships between national identity, politics, institutions and music
- Western representations and descriptions of Eastern European national music
- Orientalism and Nationalism in Eastern European music
- (Trans-)Nationalism and contemporary music historiography
- Complexes and compensation strategies of (minor) national cultures
- Christoph Flamm (Universität Heidelberg)
- Roberto Illiano (Centro Studi Opera Omnia Luigi Boccherini)
- Massimiliano Locanto (Università di Salerno)
- Fulvia Morabito (Centro Studi Opera Omnia Luigi Boccherini)
- Massimiliano Sala (Centro Studi Opera Omnia Luigi Boccherini)
- Christoph Flamm (University of Heidelberg)
- Tatjana Marković (Austrian Academy of Sciences)
The official languages of the conference are English, French, Italian. Papers selected at the conference will be published in a miscellaneous volume.
Papers are limited to twenty minutes in length, allowing time for questions and discussion. Please submit an abstract of no more than 500 words and one page of biographical information.
The committee will make its final decision on the abstracts by the end of April, and contributors will be informed immediately thereafter. Further information about the programme, registration, travel, and accommodation will be announced after that date.
For any additional information, please contact:
Dr. Massimiliano Sala